Even parts of his apartment that are only passed over for a few seconds are filled with Ducky goodness.Including his time as a Duck Pot Grower, apparently.
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This is probably the best part of the entire film, as it appeals to the old-school fantasy fan in me.
The design of the beast is like a combination of a giant scorpion and, um, something else.
We really get a glimpse of Howard’s entire life in those few short moments. He flies through the walls of his apartment building, busting through the bedroom of an older Duck couple and the bathroom of a nude lady-Duck who is apparently too busy masturbating to notice the destruction. And as tasteless and weird as that sounds, it gave me hope.
They fill me with hope for an interesting film experience. But it really isn’t followed up on in any meaningful way.
Aside from the performances, there’s not a lot more good to say about the film. I must admit, though, that Joe Johnston’s work on the Ultralight sequence actually does have some impressive stunt work, especially given that Gale was again, virtually blind and “behind the controls” of the thing at times.
Also, when the Dark Overlord appears in his true form at the end of the film, it is thanks to the stop-motion animation of Phil Tippett.
Actually, Gloria Katz says it best, I think: “Tim understood how silly and absurd it was going to be…” Silly and absurd pretty much sums up his over-the-top ridiculous performance.
And not “absurd” in the existential sense that would have actually been true to Gerber’s vision, but “absurd” in the “isn’t this some stupid shit I’m doing” sense.
So Howard has to choose between stopping the demonic invasion and destruction of a World he Never Made and getting home. The rest of the film is mindless filler that alternately appeals to children and to emotionally stunted adults. And I’ve even gone out of my way to find good things about weak projects like . You can make Captain America a young Marine, injected with the super-soldier formula to save his life.
We get musical numbers, Quack Fu fighting, explosions, and an exceedingly long chase sequence. I didn’t mind so much when the filmmakers made fundamental changes to the characters’ personalities and histories in those instances, so why get hung up on changes when the character’s an anthropomorphic duck? He still represents a hopeful, patriotic ideal who fights crime.
), and Gale was hired as his stunt double/stand-in.